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Bad Apples Urban Farm

Bad Apples Urban Farm

Bad Apples Urban Farm

Bad Apples Urban Farm

UX | BRANDING

UX | BRANDING

Branding & Design for Social Good

Branding & Design for Social Good

Branding & Design for Social Good

Youth facing complex barriers in Metro Vancouver often have limited opportunities for skill development and community engagement. Without safe spaces to explore their identities and acquire practical skills, these individuals may struggle to achieve autonomy and find purpose within their communities.

Youth facing complex barriers in Metro Vancouver often have limited opportunities for skill development and community engagement. Without safe spaces to explore their identities and acquire practical skills, these individuals may struggle to achieve autonomy and find purpose within their communities.

Youth facing complex barriers in Metro Vancouver often have limited opportunities for skill development and community engagement. Without safe spaces to explore their identities and acquire practical skills, these individuals may struggle to achieve autonomy and find purpose within their communities.

Youth facing complex barriers in Metro Vancouver often have limited opportunities for skill development and community engagement. Without safe spaces to explore their identities and acquire practical skills, these individuals may struggle to achieve autonomy and find purpose within their communities.

A desktop and mobile view showcasing the "Bad Apples" website. The hero section highlights the initiative's mission to empower youth in Vancouver through community-supported agriculture. The vibrant design features bold typography, a call-to-action button labeled "Donate Now," and graffiti-inspired visual elements.
A desktop and mobile view showcasing the "Bad Apples" website. The hero section highlights the initiative's mission to empower youth in Vancouver through community-supported agriculture. The vibrant design features bold typography, a call-to-action button labeled "Donate Now," and graffiti-inspired visual elements.
A desktop and mobile view showcasing the "Bad Apples" website. The hero section highlights the initiative's mission to empower youth in Vancouver through community-supported agriculture. The vibrant design features bold typography, a call-to-action button labeled "Donate Now," and graffiti-inspired visual elements.
A desktop and mobile view showcasing the "Bad Apples" website. The hero section highlights the initiative's mission to empower youth in Vancouver through community-supported agriculture. The vibrant design features bold typography, a call-to-action button labeled "Donate Now," and graffiti-inspired visual elements.

The Problem

The Problem

The Problem

The Problem

The Bad Apples Farms Initiative in Vancouver's Downtown Eastside repurposes under-utilized or transitional urban areas, transforming them into productive agricultural spaces. The organization specifically aims to provide employment opportunities and skills training for youth encountering barriers to employment or education.

The Bad Apples Farms Initiative in Vancouver's Downtown Eastside repurposes under-utilized or transitional urban areas, transforming them into productive agricultural spaces. The organization specifically aims to provide employment opportunities and skills training for youth encountering barriers to employment or education.

The Bad Apples Farms Initiative in Vancouver's Downtown Eastside repurposes under-utilized or transitional urban areas, transforming them into productive agricultural spaces. The organization specifically aims to provide employment opportunities and skills training for youth encountering barriers to employment or education.

The Bad Apples Farms Initiative in Vancouver's Downtown Eastside repurposes under-utilized or transitional urban areas, transforming them into productive agricultural spaces. The organization specifically aims to provide employment opportunities and skills training for youth encountering barriers to employment or education.

An assortment of graffiti-style illustrations and logos representing the "Bad Apples" brand. Featured are playful vegetable mascots, including a beet, apple, pear, and onion, designed with expressive faces and bold outlines to capture the gritty yet approachable aesthetic of the initiative.
An assortment of graffiti-style illustrations and logos representing the "Bad Apples" brand. Featured are playful vegetable mascots, including a beet, apple, pear, and onion, designed with expressive faces and bold outlines to capture the gritty yet approachable aesthetic of the initiative.
An assortment of graffiti-style illustrations and logos representing the "Bad Apples" brand. Featured are playful vegetable mascots, including a beet, apple, pear, and onion, designed with expressive faces and bold outlines to capture the gritty yet approachable aesthetic of the initiative.
An assortment of graffiti-style illustrations and logos representing the "Bad Apples" brand. Featured are playful vegetable mascots, including a beet, apple, pear, and onion, designed with expressive faces and bold outlines to capture the gritty yet approachable aesthetic of the initiative.

The Solution

The Solution

The Solution

The Solution

Despite the challenges of this urban environment, appropriately structured programs and a welcoming atmosphere can offer youth the opportunity to build a strong foundation to overcome these barriers. Our design team, comprising Makayla Crenshaw and JJ Eng, each contributed unique perspectives to developing the narrative and branding for the Bad Apples Crew.

Despite the challenges of this urban environment, appropriately structured programs and a welcoming atmosphere can offer youth the opportunity to build a strong foundation to overcome these barriers. Our design team, comprising Makayla Crenshaw and JJ Eng, each contributed unique perspectives to developing the narrative and branding for the Bad Apples Crew.

Despite the challenges of this urban environment, appropriately structured programs and a welcoming atmosphere can offer youth the opportunity to build a strong foundation to overcome these barriers. Our design team, comprising Makayla Crenshaw and JJ Eng, each contributed unique perspectives to developing the narrative and branding for the Bad Apples Crew.

Despite the challenges of this urban environment, appropriately structured programs and a welcoming atmosphere can offer youth the opportunity to build a strong foundation to overcome these barriers. Our design team, comprising Makayla Crenshaw and JJ Eng, each contributed unique perspectives to developing the narrative and branding for the Bad Apples Crew.

Mockups of social media posts and mobile web pages for the "Bad Apples" initiative. Vibrant designs showcase Instagram posts, including a man in a bucket hat under the tagline "We all have a story," alongside a mobile website layout featuring donation options, success stories, and community partnerships.
Mockups of social media posts and mobile web pages for the "Bad Apples" initiative. Vibrant designs showcase Instagram posts, including a man in a bucket hat under the tagline "We all have a story," alongside a mobile website layout featuring donation options, success stories, and community partnerships.
Mockups of social media posts and mobile web pages for the "Bad Apples" initiative. Vibrant designs showcase Instagram posts, including a man in a bucket hat under the tagline "We all have a story," alongside a mobile website layout featuring donation options, success stories, and community partnerships.
Mockups of social media posts and mobile web pages for the "Bad Apples" initiative. Vibrant designs showcase Instagram posts, including a man in a bucket hat under the tagline "We all have a story," alongside a mobile website layout featuring donation options, success stories, and community partnerships.

The Collaborative Process

The Collaborative Process

The Collaborative Process

The Collaborative Process

Each stage of development was a collaborative effort, involving numerous design meetings, shared research, and whiteboarding sessions to ensure alignment as the story evolved. The brand identity centered on graffiti-styled mascots that symbolized different aspects of the programs offered in the "Yard." My primary contributions included: crafting the copywriting for both web and social media, designing both mobile and desktop versions of the site, and ensuring the web design resonated with prospective youth while providing clear avenues for beneficiaries to donate or engage with the program through farmers' market events.

Each stage of development was a collaborative effort, involving numerous design meetings, shared research, and whiteboarding sessions to ensure alignment as the story evolved. The brand identity centered on graffiti-styled mascots that symbolized different aspects of the programs offered in the "Yard." My primary contributions included: crafting the copywriting for both web and social media, designing both mobile and desktop versions of the site, and ensuring the web design resonated with prospective youth while providing clear avenues for beneficiaries to donate or engage with the program through farmers' market events.

Each stage of development was a collaborative effort, involving numerous design meetings, shared research, and whiteboarding sessions to ensure alignment as the story evolved. The brand identity centered on graffiti-styled mascots that symbolized different aspects of the programs offered in the "Yard." My primary contributions included: crafting the copywriting for both web and social media, designing both mobile and desktop versions of the site, and ensuring the web design resonated with prospective youth while providing clear avenues for beneficiaries to donate or engage with the program through farmers' market events.

Each stage of development was a collaborative effort, involving numerous design meetings, shared research, and whiteboarding sessions to ensure alignment as the story evolved. The brand identity centered on graffiti-styled mascots that symbolized different aspects of the programs offered in the "Yard." My primary contributions included: crafting the copywriting for both web and social media, designing both mobile and desktop versions of the site, and ensuring the web design resonated with prospective youth while providing clear avenues for beneficiaries to donate or engage with the program through farmers' market events.

A dual-screen presentation of the "Bad Apples" desktop website. One screen highlights a community-focused section about urban produce delivery and workshops, while the other introduces the core team members, accompanied by graffiti-style mascot illustrations. The layout blends colorful, graffiti-inspired visuals with clear, structured web design.
A dual-screen presentation of the "Bad Apples" desktop website. One screen highlights a community-focused section about urban produce delivery and workshops, while the other introduces the core team members, accompanied by graffiti-style mascot illustrations. The layout blends colorful, graffiti-inspired visuals with clear, structured web design.
A dual-screen presentation of the "Bad Apples" desktop website. One screen highlights a community-focused section about urban produce delivery and workshops, while the other introduces the core team members, accompanied by graffiti-style mascot illustrations. The layout blends colorful, graffiti-inspired visuals with clear, structured web design.
A dual-screen presentation of the "Bad Apples" desktop website. One screen highlights a community-focused section about urban produce delivery and workshops, while the other introduces the core team members, accompanied by graffiti-style mascot illustrations. The layout blends colorful, graffiti-inspired visuals with clear, structured web design.

Brand Voice On the Web

Brand Voice On the Web

Brand Voice On the Web

Brand Voice On the Web

The bright illustrative treatment was developed collaboratively by Makayla and me, though she took the lead in bringing the mascots and other drawings to life throughout the brand package. The graffiti concept allowed me to be bold and creative in embellishing the web pages, weaving these elements into a structure that conveyed the welcoming and empowering nature of the program for youth. The copywriting aimed to blend themes of resilience and grit with an inspiring vision of hope and opportunity for a fresh start.

The bright illustrative treatment was developed collaboratively by Makayla and me, though she took the lead in bringing the mascots and other drawings to life throughout the brand package. The graffiti concept allowed me to be bold and creative in embellishing the web pages, weaving these elements into a structure that conveyed the welcoming and empowering nature of the program for youth. The copywriting aimed to blend themes of resilience and grit with an inspiring vision of hope and opportunity for a fresh start.

The bright illustrative treatment was developed collaboratively by Makayla and me, though she took the lead in bringing the mascots and other drawings to life throughout the brand package. The graffiti concept allowed me to be bold and creative in embellishing the web pages, weaving these elements into a structure that conveyed the welcoming and empowering nature of the program for youth. The copywriting aimed to blend themes of resilience and grit with an inspiring vision of hope and opportunity for a fresh start.

The bright illustrative treatment was developed collaboratively by Makayla and me, though she took the lead in bringing the mascots and other drawings to life throughout the brand package. The graffiti concept allowed me to be bold and creative in embellishing the web pages, weaving these elements into a structure that conveyed the welcoming and empowering nature of the program for youth. The copywriting aimed to blend themes of resilience and grit with an inspiring vision of hope and opportunity for a fresh start.